Sarah Mclachlan - Angel
As McLachlan explained on VH1 Storytellers, the song is about the Smashing Pumpkins touring keyboard player Jonathan Melvoin, who overdosed on heroin and died in 1996. McLachlan explained that there's nothing constant when you are on the road; everything becomes the same.

White Lies - Farewell To The Fairground
It was released on 23 March 2009 through Fiction Records. It is their third single from debut album To Lose My Life..., and fourth single overall.

Theory Of A Deadman - All Or Nothing
This song was written by Tyler Connolly about his wife. Tyler is reminiscing about different times in their relationship, whilst also proclaiming his love for her.

The Verve - Love is noise
Richard Ashcroft stated that lyrically the song is a take off of William Blake's "And did those feet in ancient time", commonly known as 'Jerusalem'.

Lazyboy - Underwear Goes Inside The Pants
"Underwear Goes Inside the Pants" is a song by Lazyboy (known as Lazy B in the UK), a musical project combining spoken word with hip-hop beats and other musical styles, with vocals on this track by stand-up comedian Greg Giraldo.

Seether feat. Amy Lee - Broken
Broken" is a song by post-grunge band Seether with Amy Lee of Evanescence. The original acoustic version is the 12th track on Seether's debut album Disclaimer.

Rob Thomas - Little Wonders
[The song] is the second single from the Meet the Robinsons soundtrack. It is featured on the film's soundtrack, is featured in the film itself, and has been released as a single.

Green Day - When I Come Around
It was the final single from the album. "When I Come Around" was Green Day's most popular radio single in their early career; not only did it top the Modern Rock Tracks for seven weeks, but it also hit number two on the Mainstream Rock Tracks and number ten on the Billboard Hot 100 Airplay.

3 Doors Down - When I'm Gone
The [official] video is dedicated to all military personnel who are fighting overseas.

Matchbox Twenty - Real World
The song became the group's 1st entry into the Billboard Hot 100, peaking at #38 in its release year of 1998. Though the song did not chart well on the U.S. pop charts, it was a major hit on adult contemporary radio stations.